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April 22 to June 21, 2026
Kawanabe Kyōsai (1831-89) was one of the most renowned artists of his day. His popularity has increased enormously in recent years, both in Japan and abroad. The artist's themes range from Shintō and Buddhist subjects to comic pictures with animals, ghosts and goblins. In each of Kyōsai's works we witness his technical brilliance and wit. This exhibition presents exquisite examples of paintings and prints from the Israel Goldman Collection, London, including many works that will be shown in Japan for the first time.
Hell Courtesan, dancing Ikkyū and skeletons, Kawanabe Kyōsai, hanging scroll, 1871-89.
Israel Goldman Collection, London. Photo: Ken Adlard.
July 8 to August 30, 2026
It appears that as far back as 400 years ago, people in Japan sought, mastered, and enjoyed ceramic tableware of various origins, shapes, patterns, and uses in the context of hospitality. If we look closely at the designs of these dishes, we realize that many of them contain messages related to the changing seasons or good fortune. In other words, tableware, combined with the cuisine, may have been a "feast for the eyes" that brought profound joy to guests. The ceramics introduced in this exhibition show the Japanese people's strong and active interest in tableware.
Oribe suhama-shaped dish with handle, Mino, Momoyama period, 17th century, Suntory Museum of Art
September 16 to November 8, 2026
The Itsuo Art Museum was founded in Ikeda city, Osaka, in 1957. "Itsuo" was the pen name of Kobayashi Ichizō (1873-1957), a giant among the entrepreneurs who built modern Japan: founder of the Hankyu Toho Group (today's Hankyu Hanshin Toho Group), which includes railroads and many other businesses. The museum's collection of 5,500 works reflects Itsuo's approach to art, his multifaceted accomplishments and enterprising personality, in a truly diverse collection that ranges from kohitsugire (old calligraphy fragments) and tea utensils to paintings by Yosa Buson and Go Shun. This long-awaited exhibition is an opportunity to view these carefully selected masterpieces together in one setting.
Important Cultural Property, White Plum Blossoms, Go Shun, Right of a pair of six-panel folding screens, Edo period, 18th century, Itsuo Art Museum, Hankyu Culture Foundation
December 12, 2026 to February 7, 2027
The Lotus Sutra has long been the greatest object of faith for Japanese Buddhists of every class and gender. This sutra teaches that all human beings can achieve enlightenment and be saved from this world’s tribulations. Faith in the Lotus Sutra has inspired a rich variety of works of art, from centuries ago to the present. This exhibition introduces lavishly decorated sutras, statues of the Buddha, Buddhist paintings, and other works associated with the Lotus Sutra, offering an opportunity to better understand the interconnections of that faith and its spread in Japan.
Important Cultural Property, Lion (Manjushri’s Pedestal) and Elephant (Samantabhadra’s Pedestal), Kamakura period, 12th-13th century, Suntory Museum of Art, Photo: Kyosuke Sasaki
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